2009 News
Market Report-Nov 2009
by Mike Bianco
The Cigar Label Market is alive and well.
Current conditions are best described as selectively bullish.
Many old time collectors that had been in hibernation are back
and the ranks of new collectors are growing
again.
One exciting development is the recent surge in participation on
the Astral, Inc Cigar Label Forum. Some
of the popular topics include seeing other people's collections
and high grade labels. The newest topic and one
that's generating a lot of interest; is Questions for Sid
(Emerson) - as a veteran collector Sid has a wealth of knowledge
that he is unselfishly willing to share to educate new
collectors.
High grade InStone 100 (I-100) labels are on fire! There are at
least 50 strong offers to buy some of the
tougher GCLGS certified I-100 labels in NM8-C.MT 9.5 posted on
Astral, Inc. and all have gone unfilled. Dealers report strong
sales of EX 7 and higher certified GCLGS I-100 labels. Demand
remains steady for
labels under $20. Sales of uncertified labels in the $20-$100
range are a little weak, while sales for GCLGS labels in the
$100-$300 range are solid. Interest in GCLGS labels priced from
$300-$1000 is quite strong and buyers of labels over $1000
are
selective but willing to pay strong prices for the right label.
Examples of unfilled GCLGS Buy Prices on Astral, Inc:
American Commerce-Inner MT 9 $650
American Glory-Inner MT 9 $1750
Cupid's Web-Inner MT 9 $1400
Daniel Defoe-Inner MT 9 $1450
Jack Necker-Inner MT 9 $450
Little Knicks-Inner MT 9 $200
Prairie King-Inner MT 9 $3000
William Wells-Inner MT 9 $1500
If you are an advanced collector, you know
exactly what you’re looking for and you shop our site because
there’s
a good chance that we may have what you want. If you
don’t find exactly the title you’re looking for, you may be
enticed by another of the beautiful images you come across while
browsing our extensive inventory. We love experienced and
knowledgeable customers. You will see that we have acquired the
finest images. And if you are
new to cigar label art collecting,
we welcome you! We hope you will find a lot of information to
help to educate
you about this beautiful art form. Since our
labels are hand-picked and most have been certified by GCLGS
(Global Cigar Label Art Grading Service)-you can rest assured
that they have passed all of the stringent standards that GCLGS
has established.
Today there is a new breed of collector. Some are just coming
back into collecting after many years of being on the sidelines
and others are very new, looking for an interesting, fun and
exciting place to put some money. You need help and yes, there
are dealers that will tell you exactly what to buy. We choose to
help you educate yourself about cigar labels so that you can
make your own choices. The labels in your collection
should be ones that you have chosen because they are somehow
special to YOU or because something in the image moves YOU. We
can certainly guide you on the rarity and what we think is the
best plan to building a great collection. We are happy to offer
guidance for you and will answer your questions to the best of
our abilities.
We buy the finest labels that the market has to offer. We buy
them with our own capital. We believe in the labels
that we
list. We don’t have any sales reps. No one has a quota or makes
a commission. Additionally, and maybe
to some individuals’
disappointment, we don’t try to convince you that this or that
label is going to out-perform another label, the stock market,
your real estate, bank account or any other investment. In fact,
we don’t consider
a label’s primary reason for being as an
investment. We believe they are a wonderful store of value. They
are
historic, beautiful works of art and a lot of fun to
collect. We believe that if you buy a collection of great label
images and hold those labels over time, you will have spent your
money wisely and you will be ahead of the game. Fine cigar label
art is a unique way to park your money. If you educate yourself
about them and you have the faith to commit some resources, we
feel that in time, you will be rewarded.
Check out the new
Cigar Label Blog
(on our LINKS page)
The Color
Explosion: from the Jay T. Last collection

|
Special Members' Exhibition Preview
Nineteenth-Century American Lithography from the Jay T. Last Collection Friday, October 16, 2009 1:00 to 4:00 p.m. Huntington Members are cordially invited to an
Exhibition Preview for The Color Explosion:
Nineteenth-Century American Lithography from the Jay T.
Last Collection on Friday, October 16, 2009, from
1:00 to 4:00 p.m. in the MaryLou and George Boone
Gallery. The exhibition presents more than 200 examples
of 19th-century American lithography, including
advertising posters, art prints, children’s books,
color-plate illustrations, product labels, sheet music,
toys and games, and trade cards, many on public view for
the first time. Collector Jay T. Last, a physicist and founder of Fairchild Semiconductor Corp., is also an independent scholar of the history of lithography. His award winning book The Color Explosion: Nineteenth Century American Lithography (Hillcrest Press, 2005) will serve as the exhibition catalog. Last’s promised gift to The Huntington will serve as a significant scholarly resource in social history as well as the history of commercial advertising and the graphic arts. Please bring your current Membership card and check in at the Entrance Pavilion when you arrive and again at the Gallery to enter this exhibition preview. Can’t attend the 1:00-4:00 p.m. preview on Friday? Upgrade your Membership today and you’ll be invited to an evening reception and preview from 6:00 to 8:00 p.m. Your new benefits begin immediately, and a year will be added to your expiration date. Additionally, you’ll receive a free Sustaining Membership to give to the person of your choice—a great gift for the holidays. Also on Friday, the Southland Orchid Show Committee celebrates its 50th anniversary with this year’s spectacular show and sale. Hundreds of exotic blooms will be on view in elaborate displays along with rare orchid books from The Huntington's collection. Vendors will have a wide range of orchid plants and related merchandise for sale. The Orchid Show continues through Sunday in the Botanical Center and Conservatory. Questions may be directed to the Membership office at 626.405.2124. |

Madame Le Brun
Marie Louise Elisabeth Vigee, better known under her
married name of Le Brun, and generally spoken of as Madame Vigee
Le Brun, was born in Paris on April 16, 1755. Her father, Louis
Vigee was a pastel painter of moderate talent, devoted to his
art and always ready to commend and encourage his daughter's
talent. In those "Souvenirs" in which Madame Vigee Le Brun has
recorded the incidents of her life, she tells us that her love
for painting had already declared itself when, as a child of
six, she was sent to a convent school, where she was in constant
disgrace with her teachers because she decorated her copy books
and those of her schoolmates, and even the walls
of the dormitory, with faces and landscapes in colored chalks.
On one occasion, when at home on a holiday, she drew by
lamplight a vigorous little sketch of the bead of a man, which
so delighted her father that he exclaimed, "You will be a
painter, my child, if ever there was one." These words Elisabeth
Vigee never forgot, and that childish drawing, made when she was
but seven or eight years old, was cherished by her as long as
she lived.
When she was eleven Elisabeth's education was considered
complete. To her great delight she then left school for good,
and returned to her home, "overjoyed," she writes, "at not
having to leave my parents again." The atmosphere of the
household was artistic and the child had every opportunity to
indulge her natural tastes. The painter Doyen, an intimate
friend of her father's, helped her in her efforts to draw, and
Davesne, a professor at the Academy of St. Luke, asked to be
allowed to give her lessons. The lessons do not seem to have
amounted to much, for beyond a few suggestions as to setting her
palette Elisabeth was allowed to follow her own devices.
These were happy days for the little girl; she spent
many hours in her father's studio experimenting to her heart's
content with his crayons, and dutifully accompanied her mother, who,
we are told, was "good to the point of austerity," to high mass and
to evening prayer. She took pride in the cleverness of her brother,
three years younger than herself, and assures us with naive
frankness that he was much prettier than she. Indeed, at that time
Elisabeth, from her own account, was far from beautiful; her eyes,
she says were deep-set, her face was pale and thin and moreover, she
was growing so fast that she could not hold herself erect.
All this was a trial to her mother, who showed a marked preference
for her younger child, whom she spoiled with indulgences, whereas
with Elisabeth she was strict and even severe. The father's love and
devotion, however, were unremitting, and in return Elisabeth
lavished upon him the tenderest affection. Her grief, therefore, was
great when, In May, 1768, her father died. She was then thirteen
years old. "So heartbroken was I," she writes, "that it was long
before I felt equal to taking up my pencil again. Doyen used to come
to see us sometimes, and as he had been my father's best friend his
visits were a comfort. It was he who urged me to resume the
occupation I loved, and in which, to tell the truth, I found the
only consolation for my grief.".........
Some of Madame Le Brun's more famous paintings are:
Portrait of Madame Mole-Raymond 1787
This portrait of Madame Mole-Raymond, the actress of the Comedie
Francaise, id one of Vigee Le Brun's masterpieces and hangs in the
Louvre.
The Graefin von Schonfeld with her daughter 1793
This portrait is of the Countess Ursula Margaretha Agatha Victoria
con Schonfeld nee von Fries who was married to Count Adolf von
Schonfeld (and their daughter.)
It is housed at the University of Arizona Museum of Art in Tucson,
AZ.
Young Price Lubomirski 1789
Portrait of Prince Heinrich Lubomirski, also known as "Allegory of a
Prince."
Damlem Staatiliche Musee, Berlin
www.batguano.com

Ed Barnes is BACK!
I recently had the chance
to meet with Ed Barnes and his lovely wife, Kristin. I hadn’t
seen or spoken to Ed for a few years;
he just seemed to
vanish…but when we started up InStone, Ed was always there to
help us.
You veteran collectors remember Ed; a cigar label
art collector and enthusiastic educator for the hobby, he
published the
Cigar Label Gazette from 1995-2003. He co-authored the 1998
Cigar-Label Art Visual Encyclopedia with Wayne Dunn and put out
the CD "Great Smoking Art of Cuba" (also with Wayne Dunn) in
1999. Ed has a computer background and has
utilized his talents to do wonderful things for cigar label
collectors over the years. He's been in the forefront of
educating new collectors and offering excellent reference
material for the hobby.
Where has Ed been? Like all of us, he got caught up in
his "day job," throwing himself into work for a few
years, leaving little time for his passion for cigar labels. As
the economy changes and we all age, I think we've all stopped to
take a look at our lives and reassess our priorities. Ed has
done the same. He realized that he was not happy having no time
to enjoy the hobby he loves so much, collecting and working with
cigar labels. He also missed his "label buddies," the core group
of Southern California label collectors/dealers with whom he's
enjoyed sharing this hobby for many years.
Having
this rejuvenated interest in his label passion, Ed has decided
to revive the Cigar Label Gazette. Happily for us all,
he’s kept the Gazette archives online in his absence. He now
plans to revamp the site (with help from Kristin) and bring the
Gazette back to life with new articles and several new features.
He's hoping to woo Chip Brooks back to revive his "Did You
Know?" column that we all enjoyed so much.
Some of Ed's other plans for the Gazette include an online cigar
label index, so that you can type in the title of a label and be
able to see what it looks like. Sometime in the future he would
like to set it up so that you can input the information on when
you purchased a particular label and the price paid, thereby
creating an online Price Guide.
There are also plans for Kristin to put up labels on the site
for sale and hopefully offer t-shirts with cigar label images!
Ed & Kristin's target date for the new Cigar Label Gazette is
August, so you don't have long to wait to begin enjoying it
again!
Ed told me he began collecting
when he used to work with Wayne Dunn (who was already a
collector) and Wayne gave him his
first label as a gift. It was the Wizard label, and a few others
followed. After educating himself about the labels, learning of
the superior stone lithographic printing process, and seeing the
beautiful artwork on the labels....Ed was hooked!
Why does Ed collect labels? Because of the magnificent artwork
on them! Over the years, he's amassed quite a collection. While
he was "away," the Global Cigar Label Grading Service (GCLGS)
started up in Michigan. Ed embraces the idea of certifying cigar
label art and he'll give the "new" service a try in the near
future. He definitely sees the grading service as a plus to
buyers. With
the advent of certification, buyers know what they're getting,
rather than taking a chance on something sold online and having
to
rely on the seller's descriptions and grading. This takes a lot
of the risk out of purchasing labels online.
We talked a little about how some collectors are so "condition
conscious," which is fine...but some labels (the truly rare
ones)
may only come in the lesser grades. And Ed is happy to own those
images in whatever condition they're in because it's the ONLY
one of that title that he's ever seen!
Ed has another
exciting project in the works that will be coming out SOON!
It’s a cigar label DVD! The Cigar Label Art Show Volume 1
will feature many varied themes of cigar
labels, with special features like: marquillas (Cuban cigarette
wrappers) and the InStone 100! This will
be a wonderful reference DVD that includes label images from
many collectors, complete with narration
and music! The DVD will retail for $19.95.
The label community is lucky to have this talented man back to
help educate us ALL on cigar label art.
Welcome back Ed!
Abraham
Lincoln’s 200th Birthday
On
February 12, 2009, Abraham Lincoln would have celebrated his 200th
birthday. To honor the birth
date of one of America’s most revered presidents, there has been a
flurry of interest in Lincoln memorabilia. With the Lincoln gold
dollar, the new Lincoln pennies and Lincoln commemorative postage
stamps, interest in ALL Lincoln memorabilia has grown. Because he is
revered as one of our greatest presidents, there are many vintage
cigar labels graced with his distinguished image.
Abraham Lincoln was born in Kentucky on February 12, 1809, to
Thomas Lincoln and Nancy Hanks, two uneducated farmers, in a
one-room log cabin on the 248-acre Sinking Spring Farm in southeast
Hardin County (making him the first president to be born outside of
the original thirteen colonies.) For some time Thomas Lincoln,
Abraham’s father, had been a respected citizen of Kentucky’s
backcountry. But in 1861
the Lincoln family became impoverished, losing their land through
court action, and was forced to make a new start in Perry County,
Indiana. Lincoln later noted that this move was “partly on account
of slavery,” and partly because of difficulties with land deeds in
Kentucky.
Lincoln’s mother passed away when he was 9 years old. Soon
afterwards, his father remarried to Sarah Johnston. Lincoln and
his stepmother were close; he called her “Mother” for the rest
of his life, but was increasingly distant from his father.
After more economic and land-title difficulties in Indiana, the
family settled on public land in Macon County, Illinois. In 1832
his father relocated to Coles County, Illinois and the 22-year
old Lincoln struck out on his own.
While he
came from humble beginnings, he somehow managed to learn to
read, write and cipher. His formal education consisted of about
18 months of schooling, but he made extraordinary efforts to
attain knowledge and was an avid reader. He was strong and
skilled with an axe so he worked at splitting rails for fences
and keeping store at New Salem, Illinois. He was a captain in
the Black Hawk War, a country lawyer, spent eight years in the
Illinois legislature, was a member of the House of
Representatives and was twice an unsuccessful candidate for the
U.S. Senate. His law partner said of him, “His ambition was a
little engine
that knew no rest.”
As the 16th president of the United States, he
successfully led the country through its
greatest internal
crisis, the American Civil War, preserving the Union and ending
slavery.

Lincoln introduced
measures that resulted in the abolition of slavery; expecting to
bring about the eventual extinction of slavery by stopping its
further expansion into any U.S. territory, and by convincing
states to accept compensated emancipation if the state would
outlaw slavery (an offer that took effect only in Washington
D.C.) Lincoln believed that shrinking slavery in this way would
make it uneconomical, and place it back on the road to eventual
extinction that the Founders had envisioned.
In 1862,
Congress passed the Second Confiscation Act, which freed the
slaves of anyone convicted of aiding the rebellion. The goal was
to weaken the rebellion,
which was led and controlled by slave
owners. While it did not abolish the legal institution of
slavery (the Thirteenth Amendment did that), the Act showed that
Lincoln had the support of Congress in liberating slaves owned
by rebels.
The Emancipation Proclamation, announced on September 22, 1862
and put into effect on
January 1, 1893, freed the slaves in
territories not already under Union control. As Union armies
advanced south, more slaves were liberated until all of them in
Confederate territory (over three million) were freed. Lincoln
later said: “I never, in my life, felt more certain that I was
doing right, than I do in signing this paper.” The proclamation
made the abolition of slavery in the rebel states an official
war goal. He then threw his energies into passage of the
Thirteenth Amendment to permanently abolish slavery throughout
the nation. While Lincoln tried to set up colonies for the newly
freed slaves, all attempts at such a massive undertaking failed.

The Gettysburg Address is one of the most quoted speeches in
United States history. It was delivered at the dedication of the
Soldier’s National Cemetery in Gettysburg, Pennsylvania on
November 19, 1863. His speech is regarded as one the greatest
speeches in American history. In just over two minutes Lincoln
invoked the principles of human equality espoused by the
Declaration of Independence and redefined the Civil War as a
struggle not merely for the Union, but as “a new birth of
freedom” that would bring true equality to all of its
citizens, and would also create a unified nation in which
states’ rights were no longer dominant. In his address Lincoln
redefined the American nation, arguing that it was born not in
1789 but in 1776. “conceived in Liberty, and dedicated to the
proposition that all men are created equal.” He declared
that the sacrifices of battle had rededicated the nation to the
propositions of democracy and equality, “that this nation
shall have a new birth of freedom – and that government of
the people, by the people, for the people, shall not perish
from the earth.”
On April
14, 1865, as Mary and Abraham sat to watch the comic play Our
American Cousin at Ford’s Theatre, President Lincoln was
mortally wounded by an assassin. Lincoln had attended
the play
that night without his main bodyguard Ward Hill Lamon, to whom
he had related his famous dream regarding his own assassination.
John Wilkes Booth, a well-known actor and a Confederate spy from
Maryland had succeeded in his plan to assassinate the President.
Mrs. Lincoln accompanied her husband across the street to the
Petersen House, where the President died the following day,
April 15th. As the war was coming to a close,
Lincoln became the first American president to be assassinated.
Our nation lost a great man on that day.
Abraham Lincoln has
become known as the Great Emancipator who “freed the slaves” and
“saved the union.” And
while those things are true, Lincoln as a person was so much
more than that. He was a principled, moral man. He
didn’t let his life circumstances deter him from learning and
being the person that he wanted to be. To quote Senator Dick
Durbin, “He is a true American hero whose enormous courage
and strength of character during some of our nation’s most
tumultuous times have been sources of inspiration for
generations of Americans.”
MARY TODD LINCOLN
Ironically Lincoln
married Mary Todd, daughter of a prominent slave-owning family
from Kentucky in 1842. The couple
had four sons but
the only two to survive to adulthood were
Robert Todd and Thomas (known as “Tad”.) Coming from a
privileged family, Mary had a hard time adjusting to her new
life because she was used to having slaves perform most of the
chores for all of her life. Also since Mary was used to having
money her entire life, she struggled with the adjustment to
relative poverty.
Mary Todd attended fine schools, spoke French fluently, and
studied dance, drama and music. She had a ready wit and
sparkling personality that made her quite popular. She suffered
from agonizing migraine headaches. Some recent historians and
physicians have suggested that she suffered from schizophrenia.
However, such a diagnosis would have been impossible in her
lifetime, and any diagnosis at this late date cannot be certain.
She had
been courted by the rising young lawyer and politician Stephen
A. Douglas but was unexpectedly attracted to Douglas’
lower-status rival, and fellow lawyer, Abraham Lincoln.
They
struggled in the early years but appeared to have a comfortable
marriage before the pressures of public
life began to threaten
her fragile mind. While she often resented his absence from
their home as he practiced
law and campaigned for political
office, Mary staunchly supported her husband as he faced the
growing crisis
caused by American slavery. Anti-Union sentiment
was very strong in Mrs. Lincoln’s home state of Kentucky,
one of
the four slave states that did not secede. Many upper-class
Kentuckians who were members of the social stratum into which
Mrs. Lincoln had been born, supported the Southern cause.
After the assassination, Mary Lincoln would never fully recover
from the traumatic experience; she became even more unhinged.
Mrs. Lincoln returned to Illinois as a widow. In 1868, Mrs.
Lincoln’s former confidante, Elizabeth Keckly, published
Behind the Scenes, or Thirty years a slave, and four years in
the White House. Although over time this book had proven to
be a valuable resource
in the understanding and appreciation of
Mary Todd Lincoln, the former First Lady regarded it as a breach
of what she had considered to
be a close friendship. She became
further isolated. For Mary Lincoln, the death of her son Thomas
(Tad) in July 1871, added on top of her two other sons AND her
husband, led to an overpowering sense of grief augmented by her
previous history of mental instability.
In an act approved by Congress in 1870, Mrs. Lincoln was given a
life pension for being the widow of President Lincoln, in the
amount
of $3,000 a year.
Mrs. Lincoln’s sole surviving son, Robert, a rising young
Chicago lawyer, became alarmed by his mother’s behavior as
she became increasingly more erratic. Mary spent money lavishly
on useless items like drapery that she never hung
and elaborate dresses that she never wore, due to the fact that
she only wore black after her husband’s assassination. She would
also walk around the city with her $56,000 in government bonds
sewed into her petticoats. Despite this largess amount of money,
the $3,000 a month stipend from
Congress, and her extravagant
spending, Mrs. Lincoln had persistent and irrational fears of
poverty. After Mary Lincoln went into an ‘episode’ during which
it was feared she would jump out of the window to escape a
non-existent fire, it was determined that Mrs.
Lincoln should be
institutionalized. Fearing that his mother was a danger to
herself, Robert was left with no other choice but to have
Mrs. Lincoln committed to a psychiatric hospital in Batavia,
Illinois in 1875. After court proceedings Mary Lincoln was
so enraged that
she attempted suicide.
In May 1875, she arrived at Bellevue Place, a private, upscale
sanitarium in the Fox River Valley. With his mother in the
hospital, Robert Lincoln was left with control of Mary Lincoln’s
finances. Three months after being put in Bellevue Place, Mary
engineered her escape.
She smuggled letters to her lawyer and
his wife, who was not only her friend but also a feminist
lawyer. She also wrote to the editor of
the Chicago Times, known
for its sensational journalism. Soon, public embarrassments that
Robert had hoped to avoid were looming,
and his character and
motives were in question. The director of Bellevue, who at
Mary’s trial had assured the jury she would benefit
from
treatment at his facility, now in the face of potentially
damaging publicity declared her well enough to go to Springfield
to live with
her sister as she desired.
She was released into the custody of her sister Mrs. Elizabeth
Edwards in Springfield and in 1876 was once
again declared
competent to mange her own affairs. The committal proceedings
led to a profound estrangement between Lincoln and
his mother,
and they never fully reconciled.
Mrs. Lincoln spent the next four years abroad taking up
residence in Pau, France and traveled Europe. However, the
former First Lady’s
final years were marked by declining health.
She suffered from severe cataracts that affected her eyesight.
This may have contributed
to her increasing susceptibility to
falls. In 1879, she suffered spinal cord injuries in a fall from
a step ladder.
During the early 1880s, Mary Todd Lincoln lived, housebound, in
the Springfield, Illinois residence of her sister Elizabeth
Edwards. She
died there on July 16, 1882. Age 63, and was
interred within the Lincoln Tomb in Oak Ridge Cemetery in
Springfield along with her
husband.
http://en.wikipedia.org/wiki/Abraham_Lincoln
www.whitehouse.gov
www.lincolnbicentennial.gov
www.abrahamlincoln200.org
www.nps.gov
picture of Lincoln
1809-1865-prague.usembassy.gov/Abraham_lincoln_200the_birthday_celebration.html
Major
General
Charles Gordon
Charles Gordon was born on January 28th, 1833 in
Woolwich, the son of a senior
army officer. He was commissioned
into the Royal Engineers in 1852. He distinguished himself in
the Crimean War (1853-1856) and in 1860 volunteered
for the
‘Arrow’ War against the Chinese. In May 1862 Gordon’s corps of
engineers
was assigned to strengthen the European trading center
of Shanghai, which was threatened by the insurgents of the Tai
Ping Rebellion. A year later he became commander of the
3,000-man peasant force raised to defend the city. Due to
Gordon, order was introduced into an ill-disciplined force.
During the next 18
months Gordon’s troops played an important
role in suppressing the Tai Ping
uprising.
The Chinese governor conferred on him a medal of distinction and
also a substantial financial gift which he declined to accept.
He was also given the rank of Ti-Ju, the highest in the Chinese
army and was granted the Yellow Jacket and Peacocks Feather (now
on display in the Royal Engineer Museum.)
With the Tai Ping rebellion virtually crushed, Gordon returned
to England in January 1865, a Lieutenant Colonel where an
enthusiastic
public had already dubbed him ‘Chinese Gordon.’
Despite his successes in China and his formidable reputation, he
was given a relatively mundane appointment on his return home,
improving the defenses of the River Thames and living in
Gravesend. The next few years showed another side of Gordon’s
complex personality. Despite having led turbulent and
undisciplined groups of soldiers, not hesitating to sacrifice
lives if he thought it his duty,
he has always had sympathy for
suffering and a strong desire for its alleviation.
With a particular interest in the disadvantaged, his house in
Gravesend became a school, a hospital and an almshouse (private
establishment for housing the poor) in turn, more like the home
of a missionary than that of an officer in the Royal Engineers.
He rescued young people from the gutter, cleaned and clothed
them and established reading classes. For many of the boys he
found work on board ships sailing in and out of the Thames. So
full did his classes become that his house would no longer hold
them and they had to be given
up. He remained in Gravesend for
six years doing his good work.
In 1871, Gordon was appointed to the European Commission of the
River Danube to improve access to the river and thus allow
larger vessels to load and unload at Galatz, in Rumania.
Contacts made during this assignment led to his appointment, in
1874, as Governor of
the Equatorial Provinces of Egypt. His job
was to establish a line of posts throughout that enormous region
in order to win the confidence
of the local tribes, to promote
peace and to check the deplorable slave traffic. Despite much
intrigue and many difficulties, Gordon started to make some
improvements but did not make too many friends in doing so.
After three years, and much wrestling with his conscience, he
decided to resign and return to England. During this time he had
mapped much of the White Nile, dealt the slave trade a deadly
blow and restored confidence and peace among the tribes of the
Nile valley. He had opened up water communications, formed
government districts and established secure posts with safe
communication between them.
The Tai Ping rebellion established Gordon as a military
commander. The Equatorial Provinces testified to his skills as a
philanthropic and practical administrator.
One reason for his resignation was that he had found it
impossible to stop the slave trade completely, due to its
continued encouragement in Khartoum. However, he had not been
back in England for long when he received an urgent request from
the Khedive appealing to him to return to Sudan and complete his
work.
He agreed to do this, but only on the condition that he was
appointed Governor General of the entire Sudan, free to act
without being fettered by others. This condition was agreed to
and in February 1877 he was back in Cairo. His task this time
was to integrate the Sudan, Darfur and the Equatorial Provinces
into one vast province.
He strongly resented the status and extravagant standard of
living which he was expected to maintain but lost no time in
re-opening his attacks on the slave traders throughout his
enlarged command. This was something which he had been unable to
do in his previous appointment in a smaller area.
For three years he lived in a constant turmoil of civil,
political and military intrigue, carrying out his duties to the
best of his ability under almost impossible conditions. His
frankness and his total disregard for his personal safety made
both friends and enemies for him but in
the end he could
tolerate no more and resigned again, returning to England in
January 1880.
While still in Bombay (now Mumbai), Gordon received an
invitation to return to Peking (now Beijing) where war with
Russia was threatening. He requested six months leave and when
this was initially declined he requested “retirement or
resignation.” Leave was
then granted on the condition that
he undertook no military activities in China. His stay in there
was short. He persuaded the government
to accept the Russian
terms, thus avoiding was, and returned to England in October
1880.
He was promoted to Major General in March 1882. In January 1884
Gordon returned again to the Sudan to evacuate Egyptian forces
from Khartoum, threatened by Sudanese rebels led by Muhammad
Ahmad al-Mahdi. This was expected to involve the withdrawal of
29,000 people, a formidable task for one person.
Gordon immediately set about sending down river batches of sick
and wounded, women and children, In this way, 2,500 were
rescued.
But on March 12th, al-Mahdi’s forces closed
in and
Khartoum was under siege. Gordon could have escaped at any time,
but true to his character, he elected to stay.
Defenses were built and his seven river steamers were fitted
with bullet-proof plating to enable them to
run the gauntlet of
enemy fire. He never relaxed in the vigor of his defense and
constantly hoped for early relief. As month after month passed
no steps were taken.
By December, Gordon realized that all hope of relief had gone
and wrote to friends what were, in fact, farewell letters. He
was supported throughout the siege, as in previous operations,
by his immensely strong Christian beliefs and appeared not to be
concerned at the almost inevitable fate which he faced.
The siege lasted for 317 days but on the 26th of
January, 1885 the garrison, too exhausted to make proper
resistance, fell to a sudden assault and General Gordon, with
host of his force, was killed. It is unknown exactly how and
where Gordon died. His body was never
found. Al-Mahdi had given
strict instructions that Gordon was not to be killed. His
assassin was, therefore, never identified.
So Charles Gordon died, at the early age of 52, a truly
remarkable and highly unorthodox man. Soldier, administrator
and negotiator,
with a total disregard for his personal
well-being or safety and an inexhaustible supply of kindness and
compassion where these were appropriate, he deserved better of
his countrymen in the last year of his life.
*Khedive means ‘lord’ in Persian-a title usually given to the
governors of provinces who rule as the representative of his/her
king or sovereign.
This label is GCLGS (Global Cigar Label Grading Services)
certified in EX 7 condition and portrays a young Gordon.
It is an unusually
large proof inner label measuring
approximately (the actual label) 10 ¾” x 7 ¼” and sleeved it
measures approximately 12 ½” x 8 ¼”
(does not come framed) for
$200
**I
got an email from a friend of labels that said this image was
not Major General Charles Gordon. Unfortunately, there is not
enough information about these cigar labels. It is difficult to
research most of them with surety. I did some further research
but it was inconclusive.
http://www.remuseum.org.uk/biography/rem_bio_gordon.htm
Q and A with Tony Hyman
We
were recently in touch with Tony Hyman of Hyman’s National Cigar
Museum. If you are somehow not familiar with Tony, here is some
history on the renowned Dr. Hyman. Tony began collecting cigar
boxes at the tender age of 12. He would scout local liquor
stores, pool halls, restaurants, barber shops and the cigar
stand in the post office for his treasures.
Noticing that there were boxes from many different states
and that the same brand could be packed on more than one box, he
began to wonder how many different cigar boxes there were. This
curiosity led him to be the proud owner of a collection boasting
2,300 cigar boxes along with a small collection of books and
other ephemera by the time he was 17 and enlisted in the Navy.
Since then Tony has been busy living in eight states, earning
three degrees and laboring in his many distinct careers as a
draftsman, teacher, curator, author, radio talk show host,
father, etc. He has written various books such as: The Handbook
of American Cigar Boxes and The World of Smoking and Tobacco and
eventually went into the publishing business. He has also
written the monthly Tobacciana column in The Antique Trader
Weekly and dozens of entries in the International Encyclopedia
of Tobacco. He has advised museum curators, movie prop men, TV
shows and theater producers on matters of the cigar.
Tony says he is a compulsive teacher. It was in that capacity that I met him when he spoke at a Cigar Label Meeting at the Long Beach Coin & Collectibles Exposition. He came to share his knowledge of cigar boxes and cigar box labels. It was a wonderful experience for me. He was a wealth of information. Still today, visiting his museum site helps me continue learning about cigar label art. And he has been good enough to point out when I have mistakenly identified a cigar label type. (i.e.: calling a cigar label flap an inner, etc.)
Tony is one of the pioneers of the hobby like Mark Trout and Sid
Emerson. They all have great stories and so much knowledge about
cigar labels. And the great thing is that they are so willing to
share their knowledge and experiences to educate those of us who
are fascinated and intrigued by cigar label art but are still
“babies” in comparison.
Tony was nice enough to share this question and answer exchange
that he recently had with a customer:
QUESTION:
I am a hunting and trap related collector so I am
interested in any labels that have to do with those subjects.
What I am hoping you can help me with is the history of the
STEEL TRAP cigar brand: when
and where it was made and by which tobacco company. Also I would
like to purchase other items related to the STEEL TRAP cigar
brand like posters, cigar boxes or other related items. I was
hoping you had some of these items or knew of someone that
might. Also if you have any items for sale that have an animal
or fish as the brand name and their related items I would be
interested in purchasing them also. Thank you. Blaise Andreski,
Michigan

ANSWER:
You made a good buy when you obtained this label from
www.instoneinc.com, a major seller; STEEL TRAP was one of
more than 175 brands of nickel cigars bought up by American
Tobacco/American Cigar Company during Tobacco Trust days in the
early 1900s. The original owner is indicated in the middle line,
if you (or I) could translate it. Appears to be “something and
I” though obviously scribbled in a hurry by and for people who
“know what it means” rather than historic posterity so could be
almost anything else. How about “G & O”? They bought
up so many companies, many unrecorded, that tracking it down
further would be very difficult. This label is clearly pencil
dated as being from June of 1904 and I believe quite rare since
you appear to own the printer’s file copy, perhaps re-filed when
American bought-out the company that originated the brand.
American, to the best of my research, didn’t originate brands,
but bought up regional cigar factories and their brands in an
effort to reduce competition for the handful of brands they
obtained and decided to continue. Indications are this was not
one that American supported and seems to have been quickly
dropped, making your label all the more desirable. By 1911
American Cigar Co. had discontinued more than 300 brands in all
price ranges, a few of which were passed on to P. Lorillard when
the Trust was broken up. CREMO, obtained from Acker, Merrall &
Condit of NYC, became American Cigar’s number one 5c brand.
Among the most popular low-price brands given to Lorillard were
TWO ORPHANS, LILLIAN RUSSELL, OLD VIRGINIA CHEROOTS, ROYAL
BENGAL and FLORADORA. Good luck in your hunt. Boxes and other
ephemera from STEEL TRAP are quite rare. I’ll keep your name on
file should I ever find something. As to animals or fish, check
out
http://www.nationalcigarmuseum.com/Themes/Hunting-fishing.html
for some hunting and fishing images that may appeal to you. Wild
animals that aren’t being pursued by people with guns will be
the subject of an upcoming exhibit.
Visit Tony Hyman’s museum at:
http://www.cigarhistory.info/Site/NCM_HOME.html
And Thank you Tony for sharing this with us!

CAROLINA FIDDLES
We were
contacted recently by Steven Miller. And he introduced us to his
fascinating website Carolina Fiddle. He makes fiddles out of
actual cigar boxes!
Being a musician who played in various folk blues and country groups
during the 1980s and 90s, Steven has always been fascinated with the
blend of art and science incorporated in a good handmade musical
instrument. He has been collecting pre-war Gibson instruments since
the 1970s along with some other pieces. Out of necessity he learned
maintenance and repairs on these fine old antiques.
As time went on, he began assembling various necks and bodies to
make whimsical instruments. Out of this grew the idea to construct
really good quality cigar box instruments. Steve has been building
cigar box fiddles for several years now. The fiddle designs are
Steve’s own ideas based on traditional violin technology. He has
also made a mandolin and ukuleles.

Cigar Box Fiddles have been known
since the Civil War
Wooden cigar boxes had entered commerce by the middle of the 19th
century, and provided ready material for the musician who did not
have access to a store bought instrument. Cigar boxes back then were
mostly
made
from Cedar because the aromatic wood preserved cigars and added a
pleasant odor. And as it happens, Cedar is also an excellent wood
for stringed instrument tops. Since most were made by musicians as a
handy substitute for the real thing, existing examples are of poor
quality. Not many survived since they were most likely discarded as
soon as a “real” instrument was available.
Many talented musicians started with cigar box instruments. Many
still play them. For example: Blind Willie Johnson, Lightnin’
Hopkins, Charlie Christian, Carl Perkins, Jimi Hendrix, George
Benson, Roy Clark, Buddy Guy, Big Bill Broonzy, Eddie Lang, Josh
White and Sleepy John Estes. Oh! And Steven Miller!
J
Learn more about Steven and his passion at
www.carolinafiddle.com
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